Learn the fundamental workflow for color grading your footage in DaVinci Resolve, from basic corrections to creating a unique cinematic look.
After importing and editing your footage, click on the Color tab at the bottom of the screen. This will open the dedicated color grading interface.
Start by balancing your image in the first node. Use the Primary Color Wheels (Lift, Gamma, Gain) to adjust shadows, midtones, and highlights. Aim for a neutral, well-exposed image.
Open your video scopes (e.g., Parade, Waveform) to objectively analyze your footage. Use them to set correct black and white levels and ensure accurate skin tones, rather than relying solely on your eyes.
DaVinci Resolve uses a node-based system. Right-click in the node editor and select Add Node > Add Serial or press Alt + S. Your primary corrections are on the first node; your creative look will be on the new node.
On your new node, make targeted adjustments. Use Qualifiers to select specific colors (like skin tones) or Power Windows to isolate areas. This is where you can add a creative style or 'look' to your footage.
Tips for Professional Color Grading
Nodes are non-destructive. Use them to keep your workflow organized. For example, have separate nodes for primary correction, secondary adjustments, and sharpening.
Save your grades as stills in the Gallery by right-clicking the viewer and selecting Grab Still. This allows you to easily compare looks or apply a consistent grade across multiple clips.
A Look-Up Table (LUT) can be a great starting point for a look, but rarely a one-click solution. Apply a LUT on a new node and adjust the key output or make corrections on a node before it.
For accurate color work, it's crucial to work on a calibrated monitor. What you see on an uncalibrated screen may not be what others see.
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